Lime Washing the Apathy confronts us with a haunting question: how can the continuum of nurture endure when colonial destruction is rooted in the absence of empathy?

Art offers an incredible form of storytelling, one that Aboriginal and Torres Strait Islander peoples have practiced for over 65,000 years. As contemporary influences integrate into cultural dialogue, First Nations people continue to evolve the ways in which these stories are expressed.

HEAR NO, SEE NO, SPEAK NO by Nathanael Edwards excels as a catalyst for reflection and conversation. In the context of ‘Pay Attention’, Edwards provides a spotlight to the very real issues within Australia.

Norton Fredericks’ work is a powerful testament to the resilience and beauty found at the intersections of identity, land, and ecology.

By drawing a parallel between the cycles of destruction and growth in nature and within ourselves, Jenna’s installation along Fish Lane discusses the wisdom of fire-adapted landscapes and honours the enduring strength of First Nations peoples.

Teetering along the line of controversy, the different collectables are all historically informed by customary representations of culture, contributing to a larger conversation between appropriation and appreciation.

BIG FACE, an exhibition by Butchulla and Kabi Kabi creative Aidan Rowlingson.

As each artwork evokes a sense of closeness to Agnes’ heart and home, her self-tilted exhibition becomes an atmosphere of warmth within the bustling city of Magandjin.

Inheritance by Katina Davidson is an exceptional example of conceptual literacy.